Introduction a la capitalisation d’experiences: Note
de synthese du module de formation

Gilbert Graugnard and Véronique Quiblier, 2006.
CIEDEL,
Centre International d’Etudes pour le Développement Local.
19 rue d’Enghien, 69002 Lyon, France
http://www.ciedel.org
E-mail: ciedel@univ-catholyon.fr
This document was written to support a two-day course aimed at the staff of non-governmental
development organisations working in the field. It starts by discussing why it is necessary to
work on the “capitalisation” of experiences. Among the reasons, the authors consider the need
to “fight against the evaporation of experiences”, and the importance of being part of a collective
process for the generation of knowledge. They then look at different definitions, pointing out
that capitalisation is a process that helps give value to what people have learnt and know, and
ensures this knowledge is not lost. Capitalisation differs from an evaluation (which compares
an initial situation to one found after a period of time), and is also different from research or an
external study.
Capitalisation aims to improve local practices by building on the experience acquired. It is
therefore more than a description of facts or activities. It is normally an activity that takes place
during a project (“capitalisation in vivo”). The process needs to be adapted if, for different
reasons, it is necessary to carry it out after a project has finished (“a posteriori”).
A capitalisation methodology
According to the authors, a capitalisation process must not follow a fixed methodology. It
should only be based on a flexible structure that can adapt to the context in which it will be
used. After considering who is to be involved, the authors propose four major phases as a basic
structure to follow: the definition of a reference framework, the identification of major turning
points, the identification and classification of local knowledge, and the definition of a pattern or
model (“modelisation”).
• Reference framework. The first step is to create this framework on the basis of
the capitalisation project or experience. This is done by collecting information
from all the actors involved in it and from previously written documents (such as
project reports), to establish a chronological timeline. This can be done by asking
all participants to make their own timeline, and then agreeing on a collective one.
It can also be done by looking at different life histories, not necessarily taking
place simultaneously, but shaped by common elements.
• Major turning points. These are the most significant changes taking place during
the chosen period of time, or the internal and external factors which shaped
the development of a project. These are identified in the timeline resulting from the first step. Identifying these turning points helps keep the documentation
process in focus, preventing those taking part in it from getting lost in
information. Preferably, these turning points must be given by those involved in
the experience, and not by external agents.
• Identification and classification of local knowledge. This third step starts by
looking for new competences or new abilities among the stakeholders involved
as a result of the experience being looked at. This is done on the basis of the
turning points identified above. The aim of the capitalisation process is to
understand how these elements were built, and how the major difficulties were
solved. It is therefore essential that the analysis goes beyond a simple description
of the preliminary situation and of that found after the project, or beyond a list
of ideas justifying the decisions taken during it. These competences, abilities
or knowledge, are then divided, separating those which are specific to a given
context, and those which are transferable. At the same time, they are divided
between those which can be seen as coming from outside and those emerging
from the project itself (“endogenous”). This is important when looking at the
way to improve one’s own actions, or when thinking of practices which can be
replicated elsewhere.
• Definition of a pattern or model. The objective here is to provide ideas for future
actions (bearing in mind that the context will never be identical), or to identify
alternative options to the path followed by the project. This is also the moment
to present all those lessons or ideas which, not being limited to a particular
experience, can benefit other projects. This is done by identifying the best media
for diffusion. The guide makes a difference between a model and theory. While
the first is just meant to inspire readers, a theory is supposed to “fit” in similar
ways in all situations, with “reproduceable” results. And while theory is generally
made by an external observer, keeping a distance from the object, a model is
produced by the actors themselves.
The authors finish by looking at the capitalisation process within the project cycle (as a process
which can be employed at various stages and times), and by presenting different ways of seeing
it and carrying it out.
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